B. Ingrid Olson (b. 1987 in Denver, USA) implements elements of photography, sculpture, and performance in an ongoing exploration of the boundaries between body and space. Within the confines of her studio, she records her body as it moves — shifting in relationship to its surroundings. The results of this process are multidimensional objects and images that re-imagine the capacities of the body and the structuring of space.


In her photographic works, fragmented views of Olson’s body oscillate between a pictured subject and a subjective perspective, creating tensions between interior, direct experience and exterior, mirrored existence, and giving the artist full control over what the viewer is allowed to see — or not. Olson draws the viewer in, but only to a point. Images of splayed legs, torsos, bent knees, partial postures, and gestures are cropped by point of view, camera, and the physical framing of the printed photographs. The images are further complicated by flash, shadows, blurring, mirror reflections, and disjointed borders. The layered visual interruptions and camouflaged elements thwart attempts to find coherence in a single visual plane or continuous meaning, disorienting the viewer’s perception of both.


Fracture and camouflage are also at play in Olson’s relief sculptures. Rigid, rectilinear edges give way to soft, curved concavities at the center. Each segment suggests a specific somatic referent, but the machine-carved forms refuse to accommodate an organic reality. The minimal, sexless forms — evoking face, midriff, small of the back, thighs, shins, or toes — are hung at specific heights along the wall, matching to corresponding parts of a standing, erect body. At the same time, the combination of curvatures and protrusions over each sculpture's surface reacts to situational light and shadow, creating a shifting image of an absent body. The reliefs’structure and relationship to the surrounding architecture, in effect, heightens and questions the viewer’s sense of their own anatomy and physical presence in the world.


B. Ingrid Olson (b. 1987) lives and works in Chicago. Solo museum exhibitions of her work have been held at the Carpenter Center for Visual Arts at Harvard University; Vienna Secession; and the Albright-Knox Art Gallery. Her work was also featured in a two-person exhibition at The Renaissance Society at the University of Chicago. Olson has participated in group exhibitions at the Whitney Museum of American Art, New York; Jeu de Paume, Paris; Museum of Contemporary Art Chicago; Institute of Contemporary Art, Los Angeles; Aspen Art Museum; and The Museum of Modern Art, New York.

Public Exhibitions

b. 1987 in Denver, USA

Lives and works in Chicago





Pleasure Traffic, fluent, Santander

Parallel Manipulation, Galeria Wschód, Warsaw

I wish I was alone right now, Soccer Club Club, Chicago 

Cast of Mind, i8 Grandi, Reykjavik



History Mother, Carpenter Center for the Visual Arts, Cambridge, Massachusetts

Little Sister, Carpenter Center for the Visual Arts, Cambridge, Massachusetts

Elastic X, Secession, Vienna, Austria



Fingered Eyed, i8 Gallery, Reykjavík



Forehead and Brain, Albright-Knox Art Gallery, Buffalo, USA

Kiss the architect on the mouth, Simone Subal Gallery, New York, USA

B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco, USA



KLEIN/OLSON, with Astrid Klein, The Renaissance Society at the University of 

Chicago, Chicago, USA



double-ended arrow, Simone Subal Gallery, New York, USA



The vases my monitors their frames, cura.basement, Rome, Italy



From her come a gang and a run, Document, Chicago





Whitney Biennial 2024: Even Better Than the Real Thing, Whitney Museum of American Art, New York

Five Easy Peaces, Croy Nielsen, Vienna, Austira



The Rose, lumber room, Portland, Origon



Fata Morgana, Jeu de Paume, Paris, France

BLACK PAGES 1-100, Franz Josefs Kai 3, Vienna, Austria



Birgir Andrésson, B. Ingrid Olson, Ragna Róbertsdóttir, i8 Gallery at No.9 Cork Street, London, UK

Elisions. N. Dash, K.R.M. Mooney, B. Ingrid Olson, Carrie Yamaoka, i8 Gallery, Reykjavík

This Is My Bodys, Bodega, New York, USA

re: collections, The Rose Art Museum, Massachusetts, USA

Someone said that the world's a stage, Grimm Gallery, New York, USA

Dependent Objects, Museum of Contemporary Art, Chicago, USA

The Inconstant World, Institute of Contemporary Art, Los Angeles, USA

Rabbit Hole, F, Houston, Texas, USA



Just Connect, Museum of Contemporary Art, Chicago, USA
Four Flags, Chicago Manual Style, Chicago, USA
Four Flags, Netwerk Aalst, Aalst, Belgium
Finding Our Way, Lumber Room, Portland, USA
Cabin [4.3.2020 - 4.4.2020], Sweetwater, Berlin, Germany
New Visions: The Henie Onstad Triennial for Photography and New Media, Henie-Onstad Kunstsenter, Høvikodden, Norway



Personal Private Public, Hauser & Wirth 22nd Street, New York, USA

Emerge Selections 2019, Museum of Contemporary Art Chicago, Chicago, USA



Lost Without Your Rhythm, Aspen Art Museum, Aspen, USA

Seeing Believing Having Holding, organized by Dan Byers, i8 Gallery, Reykjavík 

Being: New Photography 2018, Museum of Modern Art, New York, USA

Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago, USA



Small Sculpture, Corbett vs. Dempsey, Chicago, USA

Fond Illusions, Galerie Perrotin, New York, USA

Women to the Front, Lumber Room, Portland, USA

The problem with having a body is that it always needs to be somewhere, The Approach, London, UK



Scarlet Street, Lucien Terras, New York, USA

Natures Department, Kodomo, New York, USA

Chicago and Vicinity, Shane Campbell Gallery, Chicago, USA

Terms of Use, Glass Curtain Gallery, Columbia College, Chicago, USA

Background/Foreground, Galerie Nordenhake, Stockholm, Sweden



Civilization and Its Discontents, Sullivan Galleries, Chicago, USA

Synecdoche, Jessica Silverman Gallery, San Francisco, USA



Dreams That Money Can’t Buy, MAXXI Museo delle Arti del XXI secolo, Rome, Italy

Fragments of an unknowable whole, Ohio State University, Columbus, USA



We seem to still be moving, Simone Subal Gallery, New York, USA





Pollock-Krasner Foundation Grant, 2023

The Shifting Foundation Grant, 2023

Surf Point Foundation Residency, York, Maine, 2021

Print Catalyst Program, Yale School of Art, 2019

Artist Residency, Latitude Chicago, 2017 

Fall Artist Residency, Ox-Bow School of Art, 2016 

Chicago Department of Cultural Affairs Grant, 2012 

Illinois Arts Council Grant, 2011 

Chicago Department of Cultural Affairs Grant, 2011 

Summer Residency, Spudnik Press, 2011 

Fred A. Hillbruner Artist Book Fellowship, The School of the Art Institute of Chicago, 2010 

Edward Ryerson Fellowship, The School of the Art Institute of Chicago, 2010 

Daniels Scholar, The Daniels Fund, 2006 - 2010 




Albright-Knox Art Gallery, Buffalo, New York

Joan Flasch Artists’ Book Collection, Chicago, Illinois

Los Angeles County Museum of Art, Los Angles, California

The Metropolitan Museum of Art, New York

The Museum of Contemporary Art, Chicago, Illinois

The Museum of Modern Art, New York, New York

Rose Art Museum, Waltham, Massachusetts 

Smith College Museum of Art, Northampton

Yale Art Gallery, New Haven, Connecticut

Monographs, Publications and Exhibition Catalogs


Blackley, Andrew, Dan Byers, Renee Gladman, Gordon Hall, B. Ingrid Olson and Leah Pires. B. Ingrid Olson: History Mother Little Sister. Cambridge, Massachusetts: Carpenter Center for the Visual Arts, 2022. Monograph.



Olson, B. Ingrid and Rosmarie Waldrop. 323 / 2021. Vienna, Austria: Secession, 2022. Artist Book.

Bock, Katinka, Béatrice Gross and Clara Schulmann. Fata Morgana. Paris, France: Manuella Editions, 2022: 8; 35; 44-49; 252-54; 277; 281. 



Østby Sæther, Susanne, and Brian Sholis. Why Photography? (Bjarne Bare, Behzad Farazollahi, Susanne Østby Sæther and Christian Tunge, Eds.) Milan: Skira, 2020: 23; 66-73.

Olson, B. Ingrid. B. INGRID. (Christoph Meier, Ute Müller, Nick Oberthaler, Eds.) Vienna, Austria: Black Pages, 2020. Artist Book.



Zambreno, Kate. 'Appendix C: Translations of the Uncanny', Appendix Project: Talks and Exhibits. South Pasadena, California: Semiotext(e), 2019: cover; 51-64.

Zambreno, Kate. 'Introductions to B. Ingrid Olson', Screen Tests. New York: Harper Perennial, 2019: 75-83.



Hughes, Holly and Kate Zambreno. B. Ingrid Olson: Forehead and Brain. Buffalo, New York: Albright-Knox ArtGallery, 2018. Exhibition catalog.



Latimer, Quinn, Like A Woman: Essays, Readings, Poems. Berlin: Sternberg Press, 2017: 59-61.

Carsten, Jesse, and B. Ingrid Olson. Salt. New York: Hassla, 2016. Artist Book.


Selected Reviews and Texts


Barton, Brit. "B. Ingrid Olson: Don't Flinch." Mousse, Spring 2023: 206-211.



Harris, Jenny. "Jenny Harris on B. Ingrid Olson." Artforum, December 2022: xx.

Olson, B. Ingrid and Jared Quinton. "Any Room Can Be a Camera: B. Ingrid Olson Interviewed by Jared Quinton." Interview. BOMB-magazine.org, October 13.

Neuhold, Margit. "Meanings in Abeyance". Camera Austria International, no. 159: 79-80.

Brigitte Borchhardt-Birbaumer. "Spiele elastischer Raumkörper". WeinerZeitung.at, July 26. 2020

Strand, Nina. "Et ønske om materialitet". NyTid.no, February 15. 2019

Birgisdóttir, Ragnheiður. "Samspil sjónar og snertingar". Morgunblaðið, June 6: 65.

Bonilla-Edgington, Jennifer Rose. "Personal Private Public." The Brooklyn Rail, October.



Fulton, Lauren and B. Ingrid Olson. "Flip the Medium: A conversation between artist B. Ingrid Olson and curator Lauren Fulton." Interview. Objektiv, no. 18 (November): 50-53.

Bell, Natalie. "First Look: B. Ingrid Olson." Art in America, (April): 25.

Kate Zambreno. "Introductions by Kate Zambreno" BOMB-magazine.org, April 26.

Spalding, Jill. "Being: New Photography 2018." Review. StudioInternational.com, April 7.

Greenberger, Alex. "The Browser: MoMA's Gripping 'New Photography' Goes Behind the Lens." ArtNews.com, March 22.

Indrisek, Scott. "At MoMA, Photography Doesn't Have to Reinvent Itself to Be Radical." Artsy.com, March 20.



Cluggish, Sara. "Critic's Guide: Chicago." Review. Frieze.com, September 13.

Indrisek, Scott. "18 Artists Share the Books That Inspire Them." Artsy.net, June 23.

Cramerotti, Alfredo. "Astrid Klein & B. Ingrid Olson." Interview. The Seen, no. 4, (May): 36-43.



McDonough, Tom. "B. Ingrid Olson." Osmos, Number 8 (Spring): 10-17.



Blalock, Lucas. "Push-Back: A Conversation Between B. Ingrid Olson and Lucas Blalock." Interview. Objektiv, no. 12 (November): 8-26.

Aletti, Vince. "Goings on About Town: B. Ingrid Olson." Review. The New Yorker, February 16.

Blalock, Lucas. "Double-Ended Arrow- Review of B. Ingrid Olson." Review. Objektiv.no, March 3.

Gopnik, Blake. "B. Ingrid Olson: Bringing Cézanne up to Date." Review. Artnet.com, January 20.

Lee, Nathaniel. "B. Ingrid Olson." Review. Modern Painters (April). 2014

Foumberg, Jason. "B. Ingrid Olson at Document." Review. Modern Painters, April. 2013

 Blackley, Andrew. "Lab: The Tenth Image." Cura. Magazine (Fall): 124-133. 


Published Talks, Interviews and Panels


"Ópera um ást og ofbeldi, Tól, Cast of mind” Víðsjá. Ríkisútvarpið. January 24.




Reading: Renee Gladman and Rosmarie WaldropCarpenter Center for the Visual Arts at Harvard University, Cambridge.

"Artists: B. Ingrid Olson in conversation with Annette Südbeck." Secession Podcast: Artists.

Artist Talk: B. Ingrid Olson in conversation with Leah Pires and Dan Byers, Carpenter Center for the Visual Arts at Harvard University, Cambridge.

 "No. 566: B. Ingrid Olson, Reinventing the Américas." Modern Art Notes Podcast.



The Inconstant World: Liz Deschenes, David Horvitz and B. Ingrid Olson in conversation with Jamillah James, Institute of Contemporary Art, Los Angeles.



 Art Matters: Heidi Zuckerman in conversation with B. Ingrid Olson, Aspen Art Museum.

"No. 347: Thomas Scheibitz, B. Ingrid Olson." Modern Art Notes Podcast.

Outspoken: B. Ingrid Olson's Forehead and Brain, Albright-Knox Art Gallery, Buffalo. 



Artists Talk: Astrid Klein and B. Ingrid Olson in conversation with Solveig Øvstebø, The Renaissance Society at the University of Chicago.

Installation shots
Art Fairs