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Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023

B. INGRID OLSON

I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for , 2021-2023
installation of Umbra (Inflated Belly 01-17), 2021 internal dye diffusion transfer prints, binder’s board, powder-coated aluminum frames
17 parts, installation dimensions variable; each part 16 x 12.25 inches (40.6 x 31.1 cm)
Enquire
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