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B. INGRID OLSON

B. INGRID OLSON

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Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023
Open a larger version of the following image in a popup: B. INGRID OLSON, I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for a moment Senses Visibly, but maybe half-life represented by the vast room means sitting in it not being in it because who could remove such a room from self From each end ends, plot, second language, treads herself an extenuating time luxuriating time infascinating time they watch her tread on, full forward and going nowhere very remarkable Do we need to open and shut the window when it is transparent from the start Or a special organ for what trickles through the hourglass?, 2021-2023

B. INGRID OLSON

I was then a we, can it be that I am the subject, an actor, common plural fixed for a camera to which these rooms are now fit Ferocious battle with repetition, of others, the crumbs and dust, gathering ashes, adhesion of eggs, finally things in place for , 2021-2023
installation of Umbra (Inflated Belly 01-17), 2021 internal dye diffusion transfer prints, binder’s board, powder-coated aluminum frames
17 parts, installation dimensions variable; each part 16 x 12.25 inches (40.6 x 31.1 cm)
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 2 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 3 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 4 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 5 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 6 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 7 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 8 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 9 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 10 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 11 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 12 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 13 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 14 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 15 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 16 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 17 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 18 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 19 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
  • (View a larger image of thumbnail 20 ) B. INGRID OLSON, Coming in with your back turned, 2021-2022
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