Ragnar Kjartansson: Barbican, London, UK

14 July - 4 September 2017 

This is the first ever UK survey of  the work of the internationally acclaimed Icelandic artist Ragnar Kjartansson, charting his wide-ranging practice across film and performance, and his less well known work as a painter and draughtsman. Born into a family active in Iceland’s theatre scene, Kjartansson draws from a varied history of stage traditions, film, music and literature from traditional Icelandic stories to opera music to contemporary pop culture. His performances, video installations, drawings and paintings explore the boundary between fact and fiction, as well as constructs of myth and identity. Donning various guises from a knight, to a Hollywood crooner, to the incarnation of death, Kjartansson both celebrates and derides the romanticised figure of the artist as cultural hero.


Music, repetition and endurance are key ingredients in Kjartansson’s video and performance works First shown to much acclaim at the New Museum in New York, Kjartansson’s autobiographical performance, Take me here by the Dishwasher: Memorial for a Marriage (2014) will be presented. Full of romance and humour, 10 troubadours spread throughout the lower gallery, sing and strum their guitars against the projected soft focus love scene, acted by Kjartansson’s parents. One of the earliest works on show, Me and My Mother, is an on-going video collaboration with his mother dating from 2000, which features four video screens, filmed over five years apart where she repeatedly spits in his face over several minutes with intensity and vigour. 


Other highlights of this survey is Kjartansson’s celebrated video installation, The Visitors (2012), which comprises of a series of nine life-size video tableaux of a musical performance staged at historic Rokeby Farm in Upstate New York where Kjartansson has been a frequent visitor since 2007.